Elijah Rich – Blueface (feat. Dalton Noon) [Review]

Elijah Rich teams up with Dalton Noon for “Blueface,” delivering flows with genuinely cool individual styles that keep things engaging. The instrumental’s hazy and beautifully detuned guitar arpeggio works nicely, while underneath, the drum beat carries a sweet old-school charm. The thoughtful use of acoustic instruments in the backing track results in a refreshing organic vibe that sets it apart from the commercial type beats you hear everywhere. Make sure to listen to the full album out now!

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ProjeKT – ApEXx [Interview]

Describe your sound in 3 words

Dark, hard, industrial

Tell us a few things about ApEXx. What is the main idea behind it?

We’ve always been attracted to heavier music, whether that’s rap or metal. Our new album ATTACK, and “ApEXx” in particular, was our first attempt to combine genres. It’s a middle finger to our polluted futures. Techno-oligarchs are gambling our lives while we drown thoughtlessly in social media and distraction. It’s a brand new day, so it’s time to wake up.

How do you approach songwriting when merging hip-hop beats with rock instrumentation? Does the process start with lyrics, a riff, or something else?

The process always starts with the instrumental. Nothing is more important than that main hook – whether that’s a guitar riff or a blast beat. The lyrics and ideas flow from there, but the music guides the journey and its expression.

Which is your most personal and honest lyric?

ApEXx isn’t particularly introspective. Its an outlet for rage and politics. The most personal and honest track I’ve recorded is probably “how sad, really” from our last album, All in a Look: it’s about self-realization, aging, and what to do with younger dreams. “Our town is fading, our time is gone.”

Artists and people that have influenced you?

We are influenced by so many bands across spectrum, but for ATTACK our biggest influences were Run the Jewels, Rage Against the Machine, Massive Attack, and Nine Inch Nails – mostly harsher, message-oriented rap/rock bands.

What does hip hop symbolize in your opinion?

A voice for the voiceless. Truth. There’s more honesty in music than social interaction these days.

In which state of mind do you imagine people might listen to your music?

Pissed off and ready to blow the speakers out.

What would you say is your biggest vice?

Pride and regret. Wasting so much time over so many years on things that don’t matter at all.

Thank you!

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Carbonara Collective x GINGE – Simon Says [Interview]

Describe your sound in three words.

Definitely not metal.

Can you tell us something about Simon Says? What’s the story behind it?

Ginge: While Simon Says is a track that sounds serious in its jazzy melodies and instruments, if you listen a bit more closely, you’ll come to find the song tells the story of a crush sharing a first name with someone in your family. Maybe we should call each other nicknames from the jump, or just kiss so we won’t even be able to say our names out loud. Or let’s just skip every step and I will call you ‘Mine’ from the jump.

You emphasize ‘inclusivity and creativity.’ Can you explain how these values are practically implemented within the Carbonara Collective, particularly in the collaborative process between artists of different genres?

I always look for collaborations that feel right—both personally and in the energy someone brings. Authenticity and passion are key. Genre doesn’t matter, because every artist creates music for a reason. What truly inspires me is when an artist is unapologetically themselves.

Everyone is unique in their own way. Behind every artist is a person with their own story, and it’s precisely those differences that make each collaboration pure and honest. This personal approach fosters an organic and inspiring creative process within the Carbonara Collective.

Following up on our previous question, how do you ensure that the Carbonara Collective remains accessible and welcoming to individuals from diverse backgrounds and experiences?

I don’t consciously focus on ensuring accessibility because art is a free form of expression. It evolves constantly, shaped by emotions, experiences, and events, making it impossible to predict its direction.

What is essential to me, however, is that everything we release must feel right. We work hard to put out a release every six weeks, but nothing will ever be shared unless we fully stand behind it. Authenticity and sincerity will always be at the core of the Carbonara Collective.

What is your most honest and personal lyric?

We rarely write lyrics ourselves, as each track tells a unique story. We strive to collaborate with a different artist for every release. Sometimes the lyrics are deeply personal, reflecting the vocalist’s experiences, while other times, they stem from a topic we collectively feel is important to express.

What challenges do you think artists face today in maintaining authenticity while navigating the pressures of social media?

I see more and more artists, including myself, developing a love-hate relationship with social media. From what I observe, it doesn’t necessarily affect authenticity, but it does put immense pressure on maintaining consistency in posting.

An artist isn’t just selling a single product—they are building an entire lifestyle and brand. That means not only creating music but also releasing music videos, publishing press photos and artwork, and constantly presenting yourself to the world. This constant demand for visibility can be exhausting and sometimes even disrupt the creative flow.

That’s why it’s so important to talk about this with like-minded artists and creatives. It can sometimes feel like you’re in this alone, but I encourage everyone to look out for one another. By motivating and inspiring each other, we can make this pressure more bearable and keep creativity alive.

The fusion of music and gastronomy is a unique concept. Beyond the metaphorical ‘cooking’ of tracks, are there plans to integrate actual culinary experiences into the Carbonara Collective’s events or projects?

Absolutely! I can already reveal that our album will be a kind of audiobook. My goal is to create a cinematic experience—one that you can see and feel with your eyes closed. A full sensory journey.

To achieve this, we used an ASMR microphone to record sounds in a professional kitchen. From the whisking of eggs to the sizzling of guanciale, the ambient noise of a bustling restaurant, and a hostess sensually guiding you through the album—every detail enhances the atmosphere. I can’t wait to share this, and if everything goes according to plan, I expect that by early 2026, people won’t just be listening—they’ll be eating too. 😉

You mention your grandmother as a significant inspiration. Can you share a specific memory or lesson from her that directly influenced the creation and ethos of the Carbonara Collective?

My grand-mère… Where do I even begin? She is a woman I have been in love with my entire life—a source of unconditional love. And that’s exactly what I want to pass on to the world.

Her passion for food has always played a central role in our family. One tradition we have cherished for generations is Sunday Lunch: an open invitation for anyone who wants to join my grandmother’s table, where we enjoy great food, good wine, and each other’s company. From her French culture, she has taught us that food is not just about taste—it’s about connection.

She often says, when we truly love a dish: “That’s because it was made with love.” It may sound cliché, but believe me—sometimes clichés are simply the truth. And that philosophy is at the heart of the Carbonara Collective. (I even try to reflect this in our logo—the two C’s form a heart, connecting to other hearts.)

In what state of mind do you imagine people listening to your music?

Every track has a different vibe, so I’d say it’s quite bipolar. But if I take Simon Says as an example, I hope that when people listen to it, they feel like the *sexiest and *most sensual* version of themselves. As if they’re radiating energy, feeling irresistible. And above all—loved. Everybody loves you.

Thank you!

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Ollie the Magic Bum – Big Business [Interview]

Describe your sound in 3 words

Mellow, Minimalist, Magical

What inspired the title “Big Business” and how does it reflect the mood or theme of the track?

The title came after I pretty much finished the track. I had the drums, keys, horns etc. laid down and I vibed with the moody, kinda dark and disorienting feel it had – but then I came across this voice sample that sounded like a 50s American advert, which on its own didn’t sound anything special, but I played it with the beat and it worked, I can’t say how it works really, maybe it matches the warped dusty sounds? I’m sure someone else could answer that!

How do you approach sampling in your music, the spoken word for example?

I just listen to a lot of music, jazz, soul, electronic, rock etc. once I hear something that inspires me or takes me to a place mentally, I get to work – once I have one sample or sound, I tend to base the rest of the track around that with more samples and/or my own instrumentation. I like to experiment as well every now and then, just throw in random sounds and see if anything sticks, and that ‘big business’ spoken word sample is one result of that.

What does hip hop symbolize in your opinion?

In regards to the sound of hip-hop, I would say it symbolises freedom of expression. As long as it has a dope beat then sonically there’s really no constraints, so I can put my full self in the creative process.

Favourite rapper, lyricist and producer?

In terms of all-round rapping ability, I would definitely say Nas – anything you can think of that makes a great rapper, he’s got and more. Lyricist has got to be the GZA, he always brings the crazy metaphors and wordplay. Producer is a tough one, if I had to pick one it’d be Nujabes – people always align him with lo-fi hip-hop but to me, he’s straight up hip-hop. Breakbeats and instrumental beauty.

In which state of mind do you imagine people might listen to your music?

I most enjoy listening to music that is both simple but meditative. So I aim to create sounds that can be reflective for listeners. Once I have a musical idea or two that I can work with, I actively restrict myself in numerous ways in order to avoid over-crowding of sounds, or my ego influencing the track. I believe once you put music out in the world, it is no longer yours – so to me simplicity is key to allow space for the listener to apply their own mental framework to it.

What advice would you give to your younger self?

I’m big into Daoist philosophy, which is about living in harmony with the nature of the universe (or ‘the way’). So I’d tell my younger self to stop looking to acquire things for selfish needs, instead see and accept things as they are, and work with whatever comes your way.

What is the story behind your name?

“Ollie the Magic Bum” is the name of a non-playable character in the Tony Hawk’s Pro Skater video game series – he’s a drunken homeless man who can magically teleport. As a kid I was obsessed with the Tony Hawk games and would play them for hours on end – the soundtracks in each game were always really cool, they would feature a lot of boom bap and underground hip-hop like Nas, Gang Starr, Lootpack, Jurassic 5 etc. so early on that built my love for the sound and aesthetic of that kind of hip-hop. Whenever I make beats I will often think if it would sound cool to skate or cruise to, if I can picture that then I know I’ve got something.

Thank you!

Jay Gudda – Grey Magic [Review]

Jay Gudda, a familiar artist to our readers, is back with “Grey Magic”. The track’s production, characterized by its chilling mid tempo, is driven by it’s cinematic sound where nostalgic keys engage in a constant dialogue with mysterious undertones. Jay Gudda’s flow needs no introduction—it’s one of those distinctive styles you can recognize from miles away. Truly signature. Lyrically, “Grey Magic” draws inspiration from Manly Hall’s book, Magic: A Treatise on Natural Occultism, where Hall defines Grey Magic as “the unconscious or subconscious perversion of power.” To further quote the artist himself, “Don’t explain when it’s understood”. Listen below!

Make sure to listen our interview with the artist here

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Alexander Paul Burton [Tremolo A Tiempo]

Alexander Paul Burton is distinguished by his masterful use of sweet, emotive keys.

In the track Soirée, warmly detuned electric keys weave a melancholic melodic theme, perfectly paired with a subtle, steady beat in the background. The track is intentionally crafted with a flat, subdued texture, immersing the listener in a contemplative, almost nostalgic mood.

Plymouth highlights the organic timbre of the piano, delivering a more loop-driven aesthetic. Its repetitive structure creates a captivating, almost hypnotic rhythm, drawing the listener deeper into its spell. Once again, the beat takes a backseat, softly underpinning the melancholic atmosphere without overpowering the production.

S’embrasser sur le gui revolves around a jazzy piano theme, exuding romance and elegance. The gentlest of the three pieces, it feels like a vintage soundtrack to a classic film. The soft, lofi beat remains consistent with the mood of the collection, enhancing the dreamy, wistful tone of the composition.

It’s always refreshing to encounter productions in this genre where songwriting takes center stage—songs that their essence would resonate even if played straight from a piano sheet.

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Ammar Jafri – Flex (Review)

FLEX, FLex, Flex, flex..

Hailing from Islamabad and making waves in Berlin’s hip-hop scene, Ammar Jafri delivers a uplifting, distinctive track with “Flex.” His signature flow stands out with a unique variety while the playful pitch pattern in the chorus, which subtly dips with each note, adds an infectious touch. Driven by an uplifting beat laced with drill elements, the track weaves in a captivating two-meter exotic riff that gives it a melodic edge. A masterful blend of East and West, impossible to ignore.

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The Dirty Sample – The Darkness [Review]

The Dirty Sample’s “The Darkness” is an atmospheric instrumental hip hop production that lures you into its eerie, suspense-filled universe with its spooky, hypnotic piano riff. It’s a slow, deliberate build, maintaining its chilling tension from start to finish, as if Michael Myers himself is at home, methodically sharpening his blade, preparing to step into the Halloween night. Simple, minimal yet effective—each note echoes like footsteps in an empty, darkened hallway. Listen while waiting for the inevitable shadow to emerge from just beyond the door.

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Sicko – GBH (do you ever just) [Review]

Do you ever just look at someone and think: “f**k, I’d love to punch you in the face”

“GBH (do you ever just)” by Sicko is a raw, anger-driven track that captures the essence of frustration. The lyrics, filled with venom, resonate with anyone who’s had enough of holding back. Sicko’s flow is sharp, matching the intensity of the emotion, while the constant sirens in the background add an extra layer of tension. The production features a melancholy piano line that complements the old-school vibe, yet not dated. A powerful anthem for those who are done with words, sadly, it fits really well with the dark times we’ve experienced in the UK this past week. Fight back!

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Larry Coleman 2020 – The Art of War [Review]

Larry Coleman 2020 is an independent hip-hop artist from Las Vegas, who gained prominence on Soundcloud and through collaborations with Bay Area legends and other notable artists, known for his “Hunger Games Series” that reflects his Detroit roots and West Coast influences, and recently sold out his Hunger Games Tour.

His newest track, “The Art of War,” highlights his lyrical skill with clever lines and powerful punches, and includes a feature from Flint, Michigan’s Jon Connor. The instrumental, characterized by a two-chord arpeggio, creates an atmospheric soundscape that complements the heavy on bass beat. The track’s structure is engaging, with a groove switch in the middle, adding to its dynamic feel. Listen below!

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