Leezy – On Me [Review]

Leezy shows that, as he says, Patience and dedication always be the key with his new single, “On Me.” The first track from his upcoming album, the song showcases his masterful, effortless flow on top of some beautifully honest verses. The instrumental has a hypnotic vibe, featuring a classic beat enriched by a vintage vocal sample that feels like it is captured from a dusty vinyl record from that old French movie soundtrack. A powerful first release that leaves you wanting more. Listen below!

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ABSYTE – Aint Nobody (feat. David Givens) [Review]

ABSYTE’s “Ain’t Nobody” opens with a striking vocal layer that immediately establishes the main melody, which is then beautifully complemented by smooth, live-sounding keys. A distinct melodic chorus provides a strong contrast to the rap verses, and the hi-hat-driven beat expertly ties all these professional production elements together. Lyrically, the song is a heartfelt expression from a woman who realizes that no one loves her quite like her partner does, and she wants to show her gratitude for a lifetime. Ready to hit “send” to your person? This one’s for them.

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M1 x Solomane – Free My People

Sometimes flex is cool. Flow switches are even better. Yet, there are moments when we must halt, observe our world, and speak plainly about what truly counts. Certain realities aren’t up for discussion; the right side of history is strikingly evident. This undeniable urgency directly fuels the powerful new single, ‘Free My People’.

In a powerful act of musical activism, M1 of Dead Prez and French-Moroccan rapper Solomane have joined forces with acclaimed artists Sa-Roc, Nejma Nefertiti, and Yasmeen Quintana for this fundraising single. Released via The Rose Production, the track is a direct response to the humanitarian crisis in Gaza and other global conflict zones.

Born from an hour-long session in Barcelona, the song blends an old-school boom-bap spirit with a raw, resilient message. Each artist, from M1’s prayer for peace to Sa-Roc’s rapid-fire delivery and Quintana’s soulful voice, contributes to a collective call for an end to suffering.

All proceeds benefit Clean Shelter, a non-profit founded by a Palestinian and an Israeli, working to improve sanitary conditions in Gaza. As The Rose Production’s Adrien Rosier states, “Music has always been a voice for unity, and that’s exactly what we stand for.”

This powerful collaboration reminds us that in the shadow of war, “it is invariably the women and children… who pay the highest price.”

For more, visit http://www.theroseproduction.org/free-my-people. Donate directly at https://www.cleanshelter.org/donation.

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Pink Jagg – American Spirit [Review]

Now, this is what we call skill.

Describe your sound in 3 words

Poetic. Desert. Raw.

What inspired the title ‘American Spirit’ and how does it reflect the mood or theme of the track?

It’s the kind of cigs I smoke. It doesn’t feel like this daunting addiction to me. I actually feel like I have a sort of beautiful relationship with it. But it effects everyone around me especially my brother. We live together. Do everything together and he HATES IT. So I feel like “I have to quit. My ma hates it too.

What does hip hop symbolize in your opinion?

It symbolizes so much but to me personally it symbolizes unapologetic expression. My brother grew up very inspired by hiphop culture. I would always find homie on his head in his room or the garage. I’m sure he has a lot to say here. I could also write novels here and float the fuck on forever.

Your most honest and personal lyric?

I would say every lyric is personal but for this song: “If it’s wrapped in white I want all the smoke, that’s the American Spirit”

Favourite rapper, lyricist and producer?

Kendrick. Eminem. My brother. He would probably say Bon Iver or someone like that.

In which state of mind do you imagine people might listen to your music?

I imagine out of curiosity. Or fomo haha.

If the music of Pink Jagg was a film, which film would that be?

Damn. Something that has many details. That all the little details mean something or are intentional. Something poetic. On some Severance type vibe. Interstellar maybe.

What advice would you give to your younger self?

Don’t listen to them.

Thank you!

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Bmbu – Night Shade [Review]

Bmbu’s latest offering, “Night Shade,” is a truly melancholic instrumental. The track centers around a deeply emotive and jazzy piano chord progression. The organic sound of the piano itself adds a beautiful texture to the track while the hazy horn line gracefully floats on top. The simple yet effective lo-fi beat has a classic feeling and it’s non-distracting nature makes it perfect for focused work or relaxation. Interestingly, the track’s repetitiveness becomes really addictive, effectively drawing the listener in. Listen below!

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Elijah Rich – Blueface (feat. Dalton Noon) [Review]

Elijah Rich teams up with Dalton Noon for “Blueface,” delivering flows with genuinely cool individual styles that keep things engaging. The instrumental’s hazy and beautifully detuned guitar arpeggio works nicely, while underneath, the drum beat carries a sweet old-school charm. The thoughtful use of acoustic instruments in the backing track results in a refreshing organic vibe that sets it apart from the commercial type beats you hear everywhere. Make sure to listen to the full album out now!

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ProjeKT – ApEXx [Interview]

Describe your sound in 3 words

Dark, hard, industrial

Tell us a few things about ApEXx. What is the main idea behind it?

We’ve always been attracted to heavier music, whether that’s rap or metal. Our new album ATTACK, and “ApEXx” in particular, was our first attempt to combine genres. It’s a middle finger to our polluted futures. Techno-oligarchs are gambling our lives while we drown thoughtlessly in social media and distraction. It’s a brand new day, so it’s time to wake up.

How do you approach songwriting when merging hip-hop beats with rock instrumentation? Does the process start with lyrics, a riff, or something else?

The process always starts with the instrumental. Nothing is more important than that main hook – whether that’s a guitar riff or a blast beat. The lyrics and ideas flow from there, but the music guides the journey and its expression.

Which is your most personal and honest lyric?

ApEXx isn’t particularly introspective. Its an outlet for rage and politics. The most personal and honest track I’ve recorded is probably “how sad, really” from our last album, All in a Look: it’s about self-realization, aging, and what to do with younger dreams. “Our town is fading, our time is gone.”

Artists and people that have influenced you?

We are influenced by so many bands across spectrum, but for ATTACK our biggest influences were Run the Jewels, Rage Against the Machine, Massive Attack, and Nine Inch Nails – mostly harsher, message-oriented rap/rock bands.

What does hip hop symbolize in your opinion?

A voice for the voiceless. Truth. There’s more honesty in music than social interaction these days.

In which state of mind do you imagine people might listen to your music?

Pissed off and ready to blow the speakers out.

What would you say is your biggest vice?

Pride and regret. Wasting so much time over so many years on things that don’t matter at all.

Thank you!

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Carbonara Collective x GINGE – Simon Says [Interview]

Describe your sound in three words.

Definitely not metal.

Can you tell us something about Simon Says? What’s the story behind it?

Ginge: While Simon Says is a track that sounds serious in its jazzy melodies and instruments, if you listen a bit more closely, you’ll come to find the song tells the story of a crush sharing a first name with someone in your family. Maybe we should call each other nicknames from the jump, or just kiss so we won’t even be able to say our names out loud. Or let’s just skip every step and I will call you ‘Mine’ from the jump.

You emphasize ‘inclusivity and creativity.’ Can you explain how these values are practically implemented within the Carbonara Collective, particularly in the collaborative process between artists of different genres?

I always look for collaborations that feel right—both personally and in the energy someone brings. Authenticity and passion are key. Genre doesn’t matter, because every artist creates music for a reason. What truly inspires me is when an artist is unapologetically themselves.

Everyone is unique in their own way. Behind every artist is a person with their own story, and it’s precisely those differences that make each collaboration pure and honest. This personal approach fosters an organic and inspiring creative process within the Carbonara Collective.

Following up on our previous question, how do you ensure that the Carbonara Collective remains accessible and welcoming to individuals from diverse backgrounds and experiences?

I don’t consciously focus on ensuring accessibility because art is a free form of expression. It evolves constantly, shaped by emotions, experiences, and events, making it impossible to predict its direction.

What is essential to me, however, is that everything we release must feel right. We work hard to put out a release every six weeks, but nothing will ever be shared unless we fully stand behind it. Authenticity and sincerity will always be at the core of the Carbonara Collective.

What is your most honest and personal lyric?

We rarely write lyrics ourselves, as each track tells a unique story. We strive to collaborate with a different artist for every release. Sometimes the lyrics are deeply personal, reflecting the vocalist’s experiences, while other times, they stem from a topic we collectively feel is important to express.

What challenges do you think artists face today in maintaining authenticity while navigating the pressures of social media?

I see more and more artists, including myself, developing a love-hate relationship with social media. From what I observe, it doesn’t necessarily affect authenticity, but it does put immense pressure on maintaining consistency in posting.

An artist isn’t just selling a single product—they are building an entire lifestyle and brand. That means not only creating music but also releasing music videos, publishing press photos and artwork, and constantly presenting yourself to the world. This constant demand for visibility can be exhausting and sometimes even disrupt the creative flow.

That’s why it’s so important to talk about this with like-minded artists and creatives. It can sometimes feel like you’re in this alone, but I encourage everyone to look out for one another. By motivating and inspiring each other, we can make this pressure more bearable and keep creativity alive.

The fusion of music and gastronomy is a unique concept. Beyond the metaphorical ‘cooking’ of tracks, are there plans to integrate actual culinary experiences into the Carbonara Collective’s events or projects?

Absolutely! I can already reveal that our album will be a kind of audiobook. My goal is to create a cinematic experience—one that you can see and feel with your eyes closed. A full sensory journey.

To achieve this, we used an ASMR microphone to record sounds in a professional kitchen. From the whisking of eggs to the sizzling of guanciale, the ambient noise of a bustling restaurant, and a hostess sensually guiding you through the album—every detail enhances the atmosphere. I can’t wait to share this, and if everything goes according to plan, I expect that by early 2026, people won’t just be listening—they’ll be eating too. 😉

You mention your grandmother as a significant inspiration. Can you share a specific memory or lesson from her that directly influenced the creation and ethos of the Carbonara Collective?

My grand-mère… Where do I even begin? She is a woman I have been in love with my entire life—a source of unconditional love. And that’s exactly what I want to pass on to the world.

Her passion for food has always played a central role in our family. One tradition we have cherished for generations is Sunday Lunch: an open invitation for anyone who wants to join my grandmother’s table, where we enjoy great food, good wine, and each other’s company. From her French culture, she has taught us that food is not just about taste—it’s about connection.

She often says, when we truly love a dish: “That’s because it was made with love.” It may sound cliché, but believe me—sometimes clichés are simply the truth. And that philosophy is at the heart of the Carbonara Collective. (I even try to reflect this in our logo—the two C’s form a heart, connecting to other hearts.)

In what state of mind do you imagine people listening to your music?

Every track has a different vibe, so I’d say it’s quite bipolar. But if I take Simon Says as an example, I hope that when people listen to it, they feel like the *sexiest and *most sensual* version of themselves. As if they’re radiating energy, feeling irresistible. And above all—loved. Everybody loves you.

Thank you!

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Ollie the Magic Bum – Big Business [Interview]

Describe your sound in 3 words

Mellow, Minimalist, Magical

What inspired the title “Big Business” and how does it reflect the mood or theme of the track?

The title came after I pretty much finished the track. I had the drums, keys, horns etc. laid down and I vibed with the moody, kinda dark and disorienting feel it had – but then I came across this voice sample that sounded like a 50s American advert, which on its own didn’t sound anything special, but I played it with the beat and it worked, I can’t say how it works really, maybe it matches the warped dusty sounds? I’m sure someone else could answer that!

How do you approach sampling in your music, the spoken word for example?

I just listen to a lot of music, jazz, soul, electronic, rock etc. once I hear something that inspires me or takes me to a place mentally, I get to work – once I have one sample or sound, I tend to base the rest of the track around that with more samples and/or my own instrumentation. I like to experiment as well every now and then, just throw in random sounds and see if anything sticks, and that ‘big business’ spoken word sample is one result of that.

What does hip hop symbolize in your opinion?

In regards to the sound of hip-hop, I would say it symbolises freedom of expression. As long as it has a dope beat then sonically there’s really no constraints, so I can put my full self in the creative process.

Favourite rapper, lyricist and producer?

In terms of all-round rapping ability, I would definitely say Nas – anything you can think of that makes a great rapper, he’s got and more. Lyricist has got to be the GZA, he always brings the crazy metaphors and wordplay. Producer is a tough one, if I had to pick one it’d be Nujabes – people always align him with lo-fi hip-hop but to me, he’s straight up hip-hop. Breakbeats and instrumental beauty.

In which state of mind do you imagine people might listen to your music?

I most enjoy listening to music that is both simple but meditative. So I aim to create sounds that can be reflective for listeners. Once I have a musical idea or two that I can work with, I actively restrict myself in numerous ways in order to avoid over-crowding of sounds, or my ego influencing the track. I believe once you put music out in the world, it is no longer yours – so to me simplicity is key to allow space for the listener to apply their own mental framework to it.

What advice would you give to your younger self?

I’m big into Daoist philosophy, which is about living in harmony with the nature of the universe (or ‘the way’). So I’d tell my younger self to stop looking to acquire things for selfish needs, instead see and accept things as they are, and work with whatever comes your way.

What is the story behind your name?

“Ollie the Magic Bum” is the name of a non-playable character in the Tony Hawk’s Pro Skater video game series – he’s a drunken homeless man who can magically teleport. As a kid I was obsessed with the Tony Hawk games and would play them for hours on end – the soundtracks in each game were always really cool, they would feature a lot of boom bap and underground hip-hop like Nas, Gang Starr, Lootpack, Jurassic 5 etc. so early on that built my love for the sound and aesthetic of that kind of hip-hop. Whenever I make beats I will often think if it would sound cool to skate or cruise to, if I can picture that then I know I’ve got something.

Thank you!

Jay Gudda – Grey Magic [Review]

Jay Gudda, a familiar artist to our readers, is back with “Grey Magic”. The track’s production, characterized by its chilling mid tempo, is driven by it’s cinematic sound where nostalgic keys engage in a constant dialogue with mysterious undertones. Jay Gudda’s flow needs no introduction—it’s one of those distinctive styles you can recognize from miles away. Truly signature. Lyrically, “Grey Magic” draws inspiration from Manly Hall’s book, Magic: A Treatise on Natural Occultism, where Hall defines Grey Magic as “the unconscious or subconscious perversion of power.” To further quote the artist himself, “Don’t explain when it’s understood”. Listen below!

Make sure to listen our interview with the artist here

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