MUNGMUNG – NASCAR [Interview]

Describe your sound in 3 words

This is such a hard one because I feel like I am always evolving, thus the art is ever-changing depending on my current mood and experiences…But let’s just say cute, energetic and melodic?

Tell us a few things about your new song. What is the main idea behind it?

‘NASCAR’ is a super cheeky, bold song about having fun and not being afraid to call the shots in a physical relationship. Think about the giddy-ness one can feel when their significant other is handling the wheel of a car with confidence; They got one hand on the wheel and the other on you, backing up the car (if you know, you know) or stealing kisses at a red light. The song is a snapshot of all those butterfly-inducing moments in the car with bae.

What is the main topic of your lyrics?

The title of the song, ‘NASCAR’ is a double entendre for the term “getting nasty in the car”, so I’ma leave the rest up to your imagination to go on overdrive.

Favourite album of the past decade?

I’m really indecisive and I love everyone doing their own thing, so I’m going to break the rules a bit and list more than one. ‘Wolf’, ‘Flowerboy’ and ‘Call Me If You Get Lost’ by Tyler, the Creator, ‘blkswn’ by Smino and ‘To Pimp a Butterfly’ by Kendrick Lamar, just to name a few.

What is the biggest challenge you have faced as an artist so far?

I am thankful for the situation I am in. I am surrounded by nothing but love, support and the gracious opportunity to be creative. Although, at the moment, it’s not really a conventional ‘challenge’ as it is out of our control, but with the COVID-19 outbreaks it has been difficult to carry on with activities such as going into the studio and performing physically on stage, which is a bit of a bummer. Hopefully once things settle down, the arts industry will be as lively as ever!

In which state of mind do you imagine people might listen to your music?

They may listen when they’re excited, feeling like being a boujee baddie, turnt up or even when they’re down, bittersweet and contemplative. I’d like to think my music can ride along with everyone and be there for them throughout their different moods.

When was the last time you danced?

Literally just a few seconds ago! I’ve been going through different albums by my favourite artists lately just to really get in tune with the love for music. Today’s pick was ‘Solitude’ by Billie Holiday and it has got me groovin’ around the house.

Thank you!

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Qeeran – LIKE YOUR MAN [Interview]

Describe your sound in 3 words

Sensual, intimate and moody.

Tell us a few things about your new song “LIKE YOUR MAN”. What is the main idea behind it?

‘LIKE YOUR MAN’ is definitely my favourite piece of work I’ve created to date. I tried to capture my favourite elements of today’s R&B world like strings, sidechained chorus vocals and an epic guitar solo to give it that ‘it’ factor to allow myself to listen to my own work again and again (which I usually cannot stand). The song’s premise floats around the idea of really wanting that second chance to prove that you’ve matured and are truly ready to give it your all, even if that means intruding onto your past-lover’s fresh territory with somebody else.

Do you like the idea of collaborating? Is songwriting a lonely process?

Yes! I love the idea of collaborating and really want to work on it for the new year coming. I’ve come to realise that there’s only so many ideas you can generate on your own and having a second creative mind can really give you that boost you sometimes didn’t even know you needed. Songwriting can for sure be lonely, but I’ve found songwriting to me is very sacred and personal, so naturally I still prefer to write in my own space alone – for now.

Artists and people who have influenced and inspired you?

For this single, definitely Alina Baraz and Galimatias. The ricochet ‘Urban Flora’ had on music and to me still stands untouchable. Summer Walker, Sabrina Claudio and Lauryn Hill are honourable mentions too.

What is the biggest challenge you have faced as an artist so far?

Remaining inspired and grounded. Melbourne’s COVID situation is continuously worsening along with an ever-extending lockdown which has been tough on everyone down here. It’s also been difficult to keep creating with honesty and 100% authenticity as the push to make sounds that are more commercial and ‘popular’ increases, but I’ve been doing well at refocusing my intentions and reasons why I began creating music in the first place (as well as realising being ‘popular’ wasn’t one of them).

What was the best film you have watched during the quarantine?

This one isn’t a film, but the K-drama ‘The Last Empress’ on Netflix took up 26 hours of my life that I will never regret spending.

One last thing we should know about you?

Apart from music, I’m a student at Monash University studying within the field of Econometrics/Business Analytics! I’m also the campus Clubs and Societies Coordinator, so if you’re a club executive and are somehow reading this, hello! (I’ll get to your emails soon!!).

Thank you!

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Sugarmoon – Try A Little [Interview]

Describe your sound in 3 words

Vintage folk-pop

Tell us a few things about your new song “Try A Little”. What is the story behind it?

Ryan McMurtry: “Try A Little is kind of about when you want someone to just let go a little bit, and enjoy life more. We love that raucous jazzy sound you hear in old acts like Dr John or The Mamas & Papas, really groovy but with a bit of menace behind it. So I guess we had that in mind when we worked on the arrangement.”

What is the story behind your name?

Sophie Jones: “We like to say it’s because we’re sweet and we come out at night! Also, a Sugarmoon is the supermoon that hails the arrival of spring and refers to the sweet sap that seeps out of maple trees. We chose it after a long night at the pub, so perhaps we were all thinking about waffles.”

What do you enjoy most? Writing music or performing your music live?

RM: “We absolutely prefer performing our music live! That’s what we’re all about really, playing live shows and connecting with audiences. The recording / releasing side of it has been keeping us going during the pandemic, but we are excited about playing lots of gigs in 202”

What would you change in the music industry?

RM: “I’d stop people being able to make noise complaints when they move next to music venues. When the venue ends up having to close, up-and-coming bands suffer as they’ve lost yet another place to grow and learn their craft.”

SJ: “It’s crazy to me that even today there’s still so much gender inequality in the music industry, with most big festivals (and a lot of small ones) still booking far more male acts than female. I know there are plenty of reasons for this that go beyond the music industry, but it just seems weirdly archaic for 2021!”

If you were asked to rescore a film, which one would you choose?

RM: “I’d go for something like Sunset Boulevard – there’s so many great elements to work with as it’s partly noir, also a comedy, the fading glamour and the tragic price of fame. Those are the ingredients of some gritty, bittersweet songs!”

SJ: “I’d remake the Godfather as a musical, but also make it about vampires. It’d be called The Bloodfather and it would have such bangers as ‘Gonna Make Him An Offer (He Can’t Refuse)’ and ‘Horse Head In My Bed’. That wasn’t really the question, was it?”

What is the most useless talent you have?

SJ: “I can open a beer bottle with pretty much anything. Lighters, forks, a guitar – as long as it has a solid bit, I can probably open a beer with it. Although I guess that proves to be useful quite often!”

Thank you!

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The Loop – See Me Beyond My Skin [Interview]

Describe your sound in 3 words

uplifting, positive, meaningful

Tell us a few things about your song “See Me Beyond My Skin”. What is the main idea behind it?

”See Me Beyond My Skin” is about racial any quality and colorism amongst our community. The song was originally spoken word piece written by an M’Zariah Robinson, and was transformed into a song as we worked on it later together.

What is the story behind your name?

The LOOP stands for “ladies of opportunity and promise”. This was a team effort.

Artists and people who have influenced and inspired you?

HER, Queen Latifah , Jazmine Sullivan,

Is Spotify the music industry’s new Gatekeepers?

Spotify is a very common platform for sharing music, and I do think it’s one of the most common in terms of Sharing your music.

What is the best advice you’ve been given?

”If you’re given a time to be somewhere, be there 15 minutes before.” (Issa bibbins )

You’d give up making music for…

I’d give up making music for…. Marcia: my health Mz: my mental health

Thank you!

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Wolf – Mentality [Interview]

Describe your sound in 3 words

Energizing, genre crossing and different

Tell us a few things about your new song. What is the main idea behind it?

Well, believe it or not ‘Mentality’ was written a few years back (circa 2017-2018) whilst I was still in Uni. During that time, I was hyped just the thought of releasing music way before any work or thought was laid down. Few years later, I had a collection of lyrics and thought to myself ‘right, it’s been 3 years since I’ve written the lyrics and established myself as an artist, I might as well work on said song’. I was torn between 2 songs but Mentality was the one that spoke to me. It’s ironic and funny how the lyrics for Mentality is so relatable today what with Covid ruining everyone’s lives and the government is failing its citizens. Originally, the whole premise of Mentality was to flip the middle finger to those that has forced you to change who you are just so you are accepted in society. There’s one of you so be unique and be yourself!

Which is your most personal and honest lyric?

Definitely ‘Fuck what you think coz I don’t need no acceptance’

Favourite rapper, lyricist and producer?

Rapper would definitely be Eminem (who doesn’t love a bit of Em), lyricist would be Scarlxrd (always speaks the truth and not afraid to show his weaknesses and vulnerability through his music and lyrics) and my favourite producer has to be Sullivan King

What is the biggest challenge you have faced as an artist so far?

Definitely getting heard and noticed by others. Music is being released every day, every minute and every second so your art is going to get buried among the hundreds of thousands songs every day. Nowadays people listen to music that’s relatable to them (well most of the time) and Mentality for me speaks to every aspect of it. It’s relatable and is the ‘now’ song.

What is the best advice you’ve been given?

I don’t know, I don’t think I’ve received any best advice before (in terms of music anyways). Although I will give advice to the upcoming producers/bands/aspiring musicians; ‘You do you, fuck what others say. At the end of the day, you’re doing music because it makes you happy not for the pleasure of others.’

One last thing we should know about you?

Check out my band ‘The Wolf Within’ on Spotify and other streaming platforms. We’ve got new music in the works. If you like our music, go and follow us over on IG: @thewolfwithinofficial

Thank you!

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Tom Tom Park – Give Me Back My Name [Interview]

Describe your sound in 3 words

sparkly, funky, dizzying synths, also moody and cozy at the same time.

Tell us a few things about your new song Give Me Back My Name. What is the main idea behind it?

The importance of self-esteem. You could say it’s a three-minute tantrum. It’s that kind of song that has your heart screaming for attention on the dance floor, being a little dramatic. A story I think we all can relate to, it’s all about how you have to live your own life, putting yourself first.

What is the main topic of your lyrics?

“come on for real, I’m not what you need,” that line pretty much says it all!

Favourite album of the past year?

There’s a lot to choose from, the last couple of weeks I’ve been listening to John Mayer’s SOB Rock. I love “Shouldn’t matter but it does”, it’s such an honest song.

Is Spotify the music industry’s new Gatekeepers?

I guess playlist professionals are the music brokers, I hope they not only want to provide listeners with a guide to what’s hot but also really surprise listeners.

In which state of mind do you imagine people might listen to your music?

Well I hope everyone’s in a good place.

You’d give up making music for…

world peace.

Thank you!

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Carter Fox – M87 [Interview]

Describe your sound in 3 words

Chill Space Beats

Tell us a few things about your new song “M87”. What is the story behind it?

The song is really a celebration of how far we all have come…as a species, as a society, as people. It celebrates the release of the first-ever picture of a black hole. A REAL black hole. Einstein had theorized about them a hundred years earlier, but to observe one in real life was yet to happen. The Event Horizon Telescope’s global team of astronomers, engineers, and scientists forever changed how we view our place in the universe, and it’s a beautiful thing to realize there is just so much more out there. When I saw the picture when it was released in April 2019, I went into my studio full of inspiration and the basis for this song was created. I asked my good friend Steve Honz (who I play with in Freddie Jackson’s backing band and in a group called JUTAUN) to add his synth and piano specialties onto it and what emerged is this wonderful piece of music.It’s a wonderful way to follow up the success of my song Eclipse (about, well, an eclipse!) that has almost 2,000,000 streams across platforms!

Do you like the idea of collaborating? Is songwriting a lonely process?

I enjoy collaborating and have been fortunate enough to work with some truly amazing artists as a songwriter, producer, and musician. But I do also enjoy creating on my own. It’s not that it’s ‘lonely,’ but there is something to taking yourself into a different plane of mind and soul and to come back with something new and unique like new music often is. Plus, you can be a little more truthful with yourself, though the hope is to share that truth with the world through collaboration and releasing music anyway.

Who is your favourite beat maker?

I have many and the top of the list is Dr Dre, J Dilla, Nujabes, and Flying Lotus, and some of the new generation like OddKidOut, the Kount, Kaelin Ellis, and Thelonious Monk.

What is the biggest challenge you have faced as an artist so far?

That’s an interesting question. I think staying confident in myself and my music has been the most challenging thing. I remember someone I once worked with saying ‘Even if you don’t believe in yourself, believe in the people who believe in you.’ Maybe he was inspired by Gurren Laggan’s Kamina, but it’s still true. So, when I feel down on myself or uninspired, I remember it’s not just me. My music has evolved since I’ve started making it 15 or so years ago and I’m so glad to have found such great fans and friends to support my journey.

If you were asked to rescore a film, which one would you choose?

It may be a little ‘on brand’ for my stuff but I’d definitely love to do that with Interstellar. Not that it wasn’t good music, but just to have fun with the feelings and visuals!

What is the most trouble you’ve ever gotten into?

To be honest, I don’t think I’ve gotten into too much trouble. I mean… I guess more correctly is I haven’t gotten caught with said trouble (knocks on wood). But when I was a teenager at lacrosse camp, I thought it was a great and hilarious idea to pull a prank on one of the coaches who was stricter with us (but not mean… just strict). After it happened and everyone had a good laugh, I got in SO MUCH trouble from my parents. Even the coaches were like ‘don’t be that mad at him’, but I learned my lesson…. Don’t try to show off doing something stupid like that… not everyone thinks it’s as funny as you… (laughs out loud)

Thank you!

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Alex Slay – Deep End [Interview]

Describe your sound in 3 words

Smooth, groovin, And dreamy

Tell us a few things about your new song “Deep End”. What is the main idea behind it?

The main idea behind “Deep End” is “just to go for it” . It’s better to try than to not try at all. For me personally I wrote the song about me getting back into relationships. I was closed off for a while and wanted to make a song about getting back out there and being more open.

Which is your most personal and honest lyric?

My most personal and honest lyric as of now would probably be in “Deep End” in the bridge I say “I ain’t dippin’ my toes I’m gonna dive in, rather be living it up than out here just survivin’ I’ve been treading shallow water but I’m ready for the deep end.” I felt very stagnant for a while, like I was afraid to fail so I didn’t try and played it “safe” hence shallow water. After a little bit of soul searching and building a new found confidence in myself I felt ready to put myself out there again hence “ready for the deep end”.

Artists and people who have influenced and inspired you?

Some of my biggest influences are Allen Stone, Lucky Daye, Anderson Paak. One thing these three artists all have in common is their nostalgic sound of 70’s and 80’s influences. I’ve always loved older music so it’s nice to be able to hear those nostalgic sounds in modern music. Other artists would have to include some of the Greats like Stevie Wonder, Marvin Gaye, Teddy Pendergrass just to name a few!

What would you change in the music industry?

I would say give more control and credit to the artist and then people that were a part of the creative process. I’ve heard way too many stories of artists and bands being taken advantage of by their labels and getting Into awful deals where the business side takes more of the credit. It’s sad to see where the industry is now, but I am hoping one day it’ll change.

In which state of mind do you imagine people might listen to your music?

It depends on the song, I have two out right now which have two very different feelings. One is “Cherry Wine” which is a more sultry, sad song that I would imagine people would listen to after a break up or driving late at night. Then you have “Deep End” which is much more lively with a nostalgic groove, I feel like people who want to dance and be happy would be more drawn to that one.

What is the most trouble you’ve ever gotten into?

The most trouble I have ever gotten into would probably be getting pulled over on my way home for the summer. It’s nothing crazy but I had all of my stuff packed to the point where I couldn’t see anything behind me and was trying to rush home. Turns out I was going about 92 mph in a 70mph and the officer had been trying to pull me over for like 5 minutes but I wasn’t able to see him. Long story short I got a pretty hefty ticket for that.

Thank you!

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Katayoun Goudarzi & Shujaat Khan – This Pale [Interview]

Describe your sound in 3 words

emotional, exciting, heartfelt

Your sound is really exciting, blending many traditional elements. Tell us a few things about your new work “This Pale”.

We wanted the album as a whole to relay a story, while each song stood on its own. We also wanted to ensure that the recording was emotionally uninterrupted, which meant that the songs were to be recorded in the same order as they are heard on the CD. And, while the tunes were all composed by Shujaat, he called upon us to bring our own thoughts into every piece and improvise as we saw fit–for me that was the most exciting part.

We also believe, to the best of our knowledge, this album marks the first time sitar and Iranian ney have been recorded together.

Which song of the album reflects you the most?

They all do, to some degree, because the album spans a large spectrum of emotions.

What do you enjoy most? Writing music or performing your music live?

For me, the enjoyment mostly comes from the process of creating the music.

Why do many people lose touch with their culture? What is the role of music to fix that?

Perhaps a lot of people feel that they need to lose their own culture in order to blend in with a new one. I myself feel that no matter where you go, you need a strong foundation to build upon and that requires an understanding of the culture you were born into and raised with. And music plays a big role as it can act as a database of shared emotions and memories, a tool for communication among members of a society, and a device for preserving language and literature and voicing opinions.

In which state of mind do you imagine people might listen to your music?

Our music requires some attention, so I would hope that people listen to it when they are ready to set aside some uninterrupted period of time.

What would you say is your biggest vice?

Ice cream for sure

Thank you!

Together In Hope – Against The Wind [Interview]

Describe your sound in 3 words

Touching, Inspiring, Powerful

70 Artists from 12 countries over 16 months. Tell us a few things about the new song “Against The Wind”

Against The Wind is the result of a collaborative music project called Together In Hope. The project brought together a community of artists and producers from around the world to record the single as a message of solidarity and hope for communities across the Global South most negatively impacted by the tide of COVID-19 that has swept across the globe.
All the musicians and production team generously gave their time to create the track and all proceeds will support the In Place of War COVID Emergency Relief Fund. The resulting song is a soothing and uplifting blend of classically-inspired contemporary pop with some sections rapped by artists who brought their own lyrics to their parts of the track.

What was the biggest challenge in making this song?

Recording a song during a global pandemic is a challenge in itself. When that song features contributions from nearly 70 artists in 12 countries, most recording remotely from their homes, the challenge was really blending all those different recording environments into a unified sound that reflected the message of Against The Wind. After 16 months of recording and production we’re really pleased we made the effort to create something all the artists and producers truly believe in.

Artists and people who have influenced and inspired you?

First, the fundamental reason for the song to be made was for marginalized communities in areas of conflict in the Global South suffering from
the most adverse effects of COVID-19. Thinking of people in need of help was our first influence and inspiration and how we started this long yet valuable music journey to give hope through heartfelt support and donation.
Secondly, Beethoven. The line from Chorus Symphony, “All people become brothers wherever your gentle wing resides,” aligns with the core of the song that emphasizes the value of togetherness and solidarity in these uncertain times.
Lastly, working with global artists was an inspiration. Talented artists of different genres and countries voluntarily brought their voices, time, and commitment, which definitely inspired the producers and artists in completing the 16-month recording journey. Plus, their distinctive voices and different vocal styles influenced the song production in mixing and mastering.

How Important are political statements by music artists? Can music have an impact on politics?

Against The Wind was not produced for political purposes, but we thought it could play a meaningful role in drawing people’s attention toward those who are politically marginalized. Music is a universal language that unites people across cultures and communities, inspires and comforts people in times of need and sadness.

What needs to be changed in the music industry?

In a context where music is becoming more provocative visually and sonically, Against The Wind aims to emotionally touch listeners’ hearts through its mellow sound and soft style. Also, we hope various artists come together and create more works of art to bring positive influence to the world, showing how the universal power of music has a wide-ranging impact.

The track closes with Beethoven’s 9th Symphony. What is the idea behind this choice?

In the initial stages of creating the concept for the song, we met with a world-renowned Korean-European pianist, Won Jae-Yeon. While performing in Germany, he listened to the Against The Wind demo and came up with a brilliant idea. He thought of Beethoven’s 9th Symphony, The Chorus, which begins with a scale similar to the demo, and he suggested rearranging our song’s intro to something based on Beethoven’s symphony. April 2020, just as the production of Against the Wind began, was an also celebratory year – the 250th anniversary of Beethoven’s birth. We felt that the lyrics of the original Chorus Symphony, translated as, “All people become brothers wherever your gentle wing resides”, carry the message of solidarity and support, which is the DNA of the Together In Hope project. So, the intro was rearranged and played by Won Jae-Yeon on a Steinway piano, which is more than 100 years old, planting deep meaning in the music.

Thank you!