Spence Paull – Christmas Eve [Interview]

What is your creative process like?

It honestly varies from project to project. Sometimes I start with the track, and melodies and lyrics just come to me; other times, I play around on the guitar or piano, and something will jump out. That was the case for “Christmas Eve”. I sat down in July with absolutely zero intentions of writing a Holiday song, but the words and melodies just flowed. It became very obvious very fast that this was a Holiday song – so I ran with it!

How would you describe your musical progress over the years?

I feel like I’ve been constantly evolving as a musician over the years, making pit stops in a variety of genres on the way to finding (and constantly finding) my sound. I started writing in the folk/singer-songwriter space with poetic lyrics and simple melodies, but as I continued to study and train in Jazz and Musical Theatre, I began incorporating more unique chord structures and melodies. I was then fortunate to perform a two-year tenure with a Grammy Award Winning Choir while I was at university, and that really helped to solidify my classical music knowledge and shape how I approach harmonies. All of this, coupled with my love of pop music, has lead to the sound listeners can expect now: genre-crossing pop with jazzy elements, story-rich lyrics, and unique harmonies.

Do you like the idea of collaborating? Is songwriting a lonely process?

I LOVE collaborating. Anytime there’s an opportunity to collaborate, I jump at it! I firmly believe that two heads are better than one. Of the songs I’ve released so far, all have been collaborations on either production, lyrics, or music. Sure, songwriting can be lonely sometimes, but writing alone can also be cathartic: it’s like a journal entry that only you understand. That said, I’ll take writing in a group over writing alone any day!

Main influences?

Anything from the 70’s and 80’s – pop, disco, rock…I take inspiration from it all! Specific influences within that time though are definitely anything Quincy Jones produced, Fleetwood Mac, ABBA, Stevie Wonder…the list is endless to be totally honest! My goal is always to combine the groove these artists embody with some modern production styles and cheeky lyrics.

Is Spotify the music industry’s new Gatekeepers?

I think with any industry, there are inevitably going to be big players that hold more of the power and influence than others. To me, “Gatekeeping” lives in the overlap of these big players’ spheres of influence. Thus, can we point the finger at Spotify only? No. Are they a big player in the industry, and do they hold a shared responsibility of Gatekeeping? Yes. We as artists and music lovers are always looking for ways to distribute that power and influence more equally, and I think we’ve made progress in comparison to where we were even 5 or 10 years ago. That said, there is certainly more work to be done.

What was the best film you have watched during the quarantine?

“King Richard”, hands down! The story of Venus and Serena Williams is beyond inspiring; the performances from Will Smith, Saniyya Sidney, Demi Singleton, and the rest of the cast were flawless. Everyone needs to watch it!

What is the most useless talent you have?

I can wiggle my nostrils. Currently working on wiggling my ears as well, but that’s not going too great so far!

Thank you!

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Hazel Mei – Golden Chains [Interview]

Describe your sound in 3 words

Eclectic, moody, introspective

Tell us a few things about your new song “Golden Chains”. What is the main idea behind it?

I wrote Golden Chains about my frustration about the climate crisis. It’s a song full of anger, but also the hope that I have that we can still do the work and fix this mess.

For which lyric you are most proud of?

Is it okay if it’s from another song? I really like the lyric: if confusion queried you’d say, “it’s the funniest thing.” from my previous release The Funniest Thing. I find personification within writing really interesting!

Your dream collaboration?

I’m really loving Joy Crookes music right now – I think it would be so fun to collaborate with her.

Is Spotify the music industry’s new Gatekeepers?

In some ways yes. The fact that a musician’s recorded works pay so poorly is definitely a big problem within the industry. In saying that, I feel there are so many ways to work as an artist within the music business and despite its undeniable influence, Spotify isn’t everything.

When not writing music, how do you spend your time?

ooooh good question. A lot of what I do outside of music involves my other love: food. I love cooking, baking and finding nice cafes/ restaurants to visit. I’ve also just invested in a sewing machine and am trying to mend and make clothes in an effort to be more sustainable and creative!

You’d give up making music for…

nothing! It’s my favourite thing to do.

Thank you!

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Alba Rose – Holding On [Interview]

Describe your sound in 3 words

Ethereal, authentic, fun

Tell us a few things about your new song “Holding On”. What is the main idea behind it?

‘Holding On’ is a track that goes through the multiple emotions involved when learning to let go of someone or something that you’re not yet ready to. It goes through the highs and lows of a relationship and accepting the uncomfortable reality of a situation, playing between optimism and hope, and cynicism and doubt. This was my sophomore release, prior to the release of my debut EP ‘Silhouette’, which is a 4-track body of work ?

What first got you into music?

When I was in high school and I auditioned to be in the school musical. My audition went terribly, I forgot all the words but my music teacher thought I had a good voice so set me up with a vocal coach. After a few sessions with her I caught the bug and then started performing in school shows and community events, and that was in my final two years of school, so around 201

What do you enjoy most? Writing music or performing your music live?

Hmmm I like both these aspects of music in different ways, and go in and out of enjoying one more than the other at different stages of the year. At the moment I have been focusing more on the live sound aspect of music, so tours, shows and performing. I’m in a real roll with this, and am loving building my confidence up on the stage, yet I haven’t written music in ages, so am starting to get really excited about the idea of writing and producing some new tracks. With new tracks comes a new vision and project. That’s probably the most exciting thing for me right now, all the prospects of the new year and new tunes.

What is the biggest challenge you have faced as an artist so far?

Covid-19. Its so hard to maintain the mental strength to keep going and continually back yourself when things are so unstable and unpredictable in the world. Its definaily a hard industry and career path to choose at the moment, as it feels like so much is pushing back against you, when things you love and things you want to do shoul just happen naturally and feel like they click. I know that all good things take work and time, so it the challenge has been learning to mitigate that time, and keep moving even through the doubt and unmotivated patches.

Which book should we read while listening to your music?

Ottolenghi’s new cook book please

What would you be doing right now, if it wasn’t for your music career?

oooo… I’d probably be hustling trying to earn some serious money so that I could go and explore the world, specifically Spain and South America. I’ve been longing to travel for years now, there’s so much I can’t wait to explore and experience

Thank you!

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Vai Sarmaria – Good Feeling [Interview]

Describe your sound in 3 words

Chill, calm and warm

Tell us a few things about your new song ‘Good Feeling’. What is the story behind it?

“Good Feeling” is a song that I wrote to express how I feel to be loved unconditionally when I received God’s love as a big part of my healing journey. This kind of love makes me feel secure, calm, peaceful, relaxed and content. Those are good feelings that I embrace. This song is supposed to give you comfort and relaxation which I feel is something that is very much needed at this moment in time.

Which is your most personal and honest lyric?

Not gonna lie, the whole lyrics from Good Feeling are personal and honest, but if I have to choose one part, probably the chorus…. “Come take my hand now and get closer to me, embrace me with your good and sweet love, it’s a good feeling”….. It expresses the whole story.

Artists and people who have influenced and inspired you?

Ella Fitzgerald, Etta James, Melody Gardot, Jill Scott, Lauryn Hill and Lianne La Havas

What would be your dream performance venue?

Blue Note Jazz Club, New York

Which book should we read while listening to your music?

Hug Time written by Patrick McDonell

What is the most useless talent you have?

I am good at choosing the right sticker to express emotions and telling stories in the telegram messenger app 😀

Thank you!

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David Scott McLean – Te Canto Colores [Interview]

Describe your sound in 3 words

Contemporary Flamenco Wanderings?

Tell us a few things about your new work ‘Te Canto Colores’. What is the story behind it?

Each song has its own unique story but I wanted the album as a whole to be a self-composed, performed, produced, and engineered endeavor using local artists that I work with regularly. The title song, “Te Canto Colores” is written in a traditional Flamenco Alegria Letra form. The lyrics are about our daughter who was born extremely premature and the beauty of that struggle that I witnessed between mother and child. My wife used to sing “De Colores” (being of Mexican Heritage) to our daughter in the hospital and I played with the idea of how the act of singing to someone can bring color into their life, and how the spectrum of life’s experiences is sometimes better expressed through music. And each tune has a story. I wrote a song about a mountain in Granada, another about how flamenco gestures tell a story and take you to a dream world, another I wrote for my friend who is no longer with us. En fin, I just wanted it to be honest and soulful.

Do you like the idea of collaborating?

Just as long as the people I’m collaborating with are cool, I love collaborating-luckily flamenco is a highly collaborative art form. I’m always doing shows with singers and dancers and percussionists. Part of the reason why I like Flamenco is that, even though you collaborate with others, you are still given plenty of opportunity to express your own voice. You aren’t tied to doing a song the same way every time because it is highly improvisational.

Is songwriting a lonely process?

I’d say song writing is a “solitary” process, not necessarily a “lonely” one. When I compose my best songs I find that I am often alone in a new place, or in the forest and I have time to just be alone without the distractions of normal life. Not to say I’m never lonely. I am sometimes.

What do you enjoy most? Writing music or performing your music live?

That’s a hard question to answer. Writing/composing music is something I’m driven to do naturally . I’ve made up songs since I was a kid. I don’t find performing to be nearly as intuitive. I love the adrenaline of performing, but I have a certain amount of performance anxiety that can be limiting and annoying at times. The best solution for my performance anxiety, however, somewhat ironically, is to perform. So I do.

What would you change in the music industry?

Autotune— I hate it. It completely sucks the nuance out of the human voice and for some reason all kinds of artists use it. I don’t get it-maybe it’s the industry pressure to make everything sound polished and perfect. Music is an expression of the soul and whose soul amongst us is polished and perfect?

What advice would you give to your younger self?

Trust your inspiration. Always be a student. Don’t forget to take interest in other people’s artistic endeavors and to support other artists.

Who is your favorite guitarist?

I tend not to have favorites. But I love listening to Moraito Chico lately . He had such a natural, fun style and his rhythm was impeccably in-the-pocket and every time I saw him perform (when he was still alive) I could see how genuinely thrilled he was to be playing music.

Thank you!

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Giorgos Tabakis – HEre NOw TheN [Interview]

Describe your sound in 3 words

Contemporary, solid, maximal

Your music has an experimental tone. Should music as a form of art always challenge the listener?

Very interesting question! I believe yes! As a listener, i always search for music that surprises me, music that challenges me in any way and puts me in a position of artistic redefinition, aesthetic expansion, in contact with new ideas, thoughts, feelings. These are the interesting and magic elements that music as a form of art is giving to the listener. In my view, there is no point otherwise.

Do you like the idea of collaborating? Is songwriting a lonely process?

I like it a lot and fortunately i have collaborated with many wonderful musicians. Some of my previous cd releases were for trios, quartet etc and my 2020 album ‘Dual Nature’ was for duo with the German clarinetist Rebecca Trescher.

Although it’s entirely different to compose for a solo instrument or for an ensemble, the process is still the same in most cases. It’s a lonely and wonderful process of experimentation, testing, connecting even more with the instrument, while trying to transfer deeper Ideas into music. It is something very interesting, essential to my general balance and i enjoy it very much.

Do you have an artist that you would describe as a hidden gem that we should know about?

I don’t have any particular in mind right now but Greece is full with “hidden jem” artists.

What would you change in the music industry?

I m not the person who wishes things were different and tries to change them. I feel more like i m trying my best in the current circumstances and in the world as it is, including music business and industry. Of course i would prefer many things to be different but after all these years i don’t think about it so much.

In which state of mind do you imagine people might listen to your music?

Many people have said to me that they are listening to hEre nOw theN cd, in their cars, in the office, while relaxing at night with a glass of wine etc. I m very happy to see that my music gives something to people in whatever state of mind they are and that they can listen to it as part of their daily life.

What is the most useless talent you have?

What an unexpected question!
My wife says that my most useless talent is drawing sketches on the sand during our summer vacations.

Thank you!

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Vince Chinaski – Never Painted Black [Interview]

Describe your sound in 3 words

Organic, poignant, cinematic

Tell us a few things about your new work “Never Painted Black”. What is the main idea behind it?

Ultimately the song is about finding truth and beauty in accepting the simplicity of existence and rolling with the flow of things just like children do.
It started as an improvised lullaby for my sleepless boy who struggled terribly into the night and yet joyfully relished every single moment of the day; all the little discoveries, every new feeling. Life being awe-inspiring just like that; no need for all the constructs that come later on when we harden.
During those endless baby-walking nights, having no soothing aid to spare but my voice, I couldn’t use my hands to jot down lyrics so I would croon the melody over and over in the dark. Night after night, ideas came and went, and the song evolved spontaneously.

Which is your most personal and honest lyric?

I reckon all my lyrics are. I mainly write about existential themes filtered through my personal experience, feelings and political views. I always strive for authenticity. No gimmicks here.

Artists and people who have influenced and inspired you?

I’d say all of them but definitely classics like David Crosby, Stephen Stills, The Band, Joe Strummer, R.L. Burnside, Fleetwood Mac, The Beatles

What is the biggest challenge you have faced as an artist so far?

well, the struggle is real for a lot of us and there’s a lot of dirt in the world but somehow I always manage to turn it around in my head and have a laugh about it.

Which book should we read while listening to your music?

that’s a hard one… maybe “The Unbearable Lightness of Being” by Milan Kundera on weekends and “The Monkey Wrench Gang” by Edward Abbey on weekdays

You’d give up making music for…

here we’re getting into life and death territory…

Thank you!

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Leesha-Z ft. Esme Lark – Sail Away [Interview]

Describe your sound in 3 words.

Dreamy, honest, immersive

What is the story behind your new song “Sail Away”?

Luiza says: Sail Away was written in the summer, when we were all longing for a change of scenery after such a long COVID lockdown. I was dreaming about that lovely feeling when you step off a plane in a foreign country , and the air is hot and balmy, the trees are different and everything is telling you you’re somewhere refreshingly far away. That led to daydreaming about the lush, indulgent feeling of floating on the water without a care in the world…. so far removed from what life was actually like during lockdown in London- especially the home schooling!!!! So, it’s a song about escaping for a moment to have some “me” time, and how it’s not because you’re disregarding everyone else, but because you’re allowing yourself to prioritize yourself every once in a while.

Do you like the idea of collaborating? Is songwriting a lonely process?

Elisha says: I love it! There are so many great musicians out there that have so much to offer in terms of experience and perspective. I have gained so much from working with others. Songwriting has never seemed to be a lonely process for me because sometimes I prefer the solitude to dig deep inside, and then when I can share what I come up with, I experience a connection with the one I’ve shared it with.

Luiza says: As a saxophonist, I perform in a lot of bands and groups and I LOVE that, but it’s never my own music. Writing these songs has opened up a creative outlet that I hadn’t nourished for a long time, and I’m not going to stop!

What do you enjoy most? Writing music or performing your music live?

Elisha says: I much prefer writing music. I’m shy to perform.

Luiza says: Probably the best place I have been lucky enough to perform in has been the Royal Albert Hall in London, and also the famous jazz club Ronnie Scott’s was a big tick on my bucket list.

What would be your dream performance venue?

Elisha says: My dream performance venue would be if you were to set up a grand piano in a garden, under the shade of a tree, near water, and have the audience far enough away that I don’t notice them.

Luiza says: A dream venue would probably be a cool stadium gig- but our songs being sung!!!

What is the best advice you’ve been given?

Elisha says: Not everyone is going to love you, or like you. But those who do are special, so treasure them and forget the ones who don’t.

Luiza says: “Don’t expect anything to land in your lap.” My mum has been a huge inspiration to me, in terms of work ethic and never ever giving up, and rolling with the punches. She’s also made sure my sisters and I have always been very grateful for any opportunity and experience that has presented itself. Something I live by, and am constantly drilling into my son is “never be responsible for ruining anyone’s day.”

What is the best concert you have ever been to?

Elisha says: As a Canadian piano player, I quickly became a huge fan of Diana Krall. She performed at the Jubilee in Calgary. She walked out on stage in a pretty dress, bent down to pick up her earring that she had lost during rehearsal, sat down at the piano, set the earring on the edge of the piano, and then started playing. She didn’t stop once. No intermission, no breaks. She just played all the way through her set, as I sat there with my jaw in my lap. She was amazing. Plus she had the coolest merch I’ve ever purchased from an artist.

Luiza says: I thought Foo Fighters at Wembley was amazing, and I got free tickets once to Madonna’s show in Wembley arena, which was inspiring in terms of sheer inventiveness and stage presence. But in all honestly, the best ever show was probably my first ever big stadium gig at 17, when I saw Bon Jovi, supported by Van Halen. The combination of my mad crush on Jon Bon Jovi (!!) and love of the band, plus it being my first mega gig, blew my mind and was a formative music loving experience.

Thank you!

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Angelina Luzi – Beast [Interview]

Describe your sound in 3 words

folktronica, soothing , from the gut

Tell us a few things about your new song “Beast” . What is the main idea behind it?

Beast is about addiction, I’m talking about the feeling of when you know that you need to escape a vicious unhealthy loop but it’s too scary and painful to move away. In my case it was a toxic relationship and all I could think of was to see this addiction as a beast, you know it’s wrong and harmful, yet it can also be this fluffy and misleadingly comfortable, safe place to stay in, because at times it’s really good.

Which is your most personal and honest lyric?

In Beast it would be ‘I move forward then get kidnapped, my voice weakens forgetting my escape, all I knew is what I wanted to hold on to’

Favourite album of the past decade?

Difficult to say but if I had to choose only one I’d say Choose Your Weapon – Hiatus Kaiyote they always blow my mind.

Is Spotify the music industry’s new Gatekeepers?

I hope not or us artists are all screwed and remain broke forever. I like to think artists can have more control over their music and how it’s given to their fans through channels like Bandcamp and Patreon, that’s how I try to promote my music.

When not writing music, how do you spend your time?

I love spending time with dogs, I know it sounds strange but I dog sit and have long walks in nature! I feel in the moment and my mind relaxes. I also love to see friends, read, run!

When was the last time you danced?

At my friend’s house party a couple of weeks ago! There is nothing better than a house party, you get to chose who comes at the party, the music you want and let your self go without spending a fortune!

Thank you!

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Jannek – Sunbow [Interview]

Describe your sound in 3 words

A Ambient
B Spherical
C Grand

Your music has an experimental tone. Should music as a form of art always challenge the listener?

I don’t think it should always challenge the listener and neither to I aspire that with my own music. The experimental aspect you hear is a dive toward ambient music and non-standard structures and sounds. The goal is to make it experimental and not challenge the listener but make it seems as though it’s seamless and smooth.
You can hear that concept in the opening track “Monty”. It’s in the time signature of 13/8, which is an odd time signature grouped in inequal segments (3+3+3+4) but it still sounds smooth and flows nicely!

Which song of the album reflects you the most?

They all reflect me at different times of my state of being but currently I’d say I mostly resonate with “Madison Glare”. I just got back from a vacation and the improvisational aspect of that song and the way it flows through its own obstacles very much reflects my state of mind at the moment!

Favorite album of the past decade?

I think I may have to give Bon Iver’s “22, a million” the podium here. That record is just an absolute milestone of music in the 21st century.

What would be your dream performance venue?

Red Rocks in Colorado. It’s a purely magical venue. I’ve seen a couple of artists there and the whole atmosphere just makes it a communal experience, as long as it doesn’t rain!

Which book should we read while listening to your music?

I’ve never been asked this question but I truly love it. I would definitely recommend a fiction book like the never ending story but I’ve read books like Ram Dass’ “Be here now” to it and it worked wonderfully well.

You’d give up making music for…

Oof… tough one. Maybe I’d give it up for an alternate life entirely. Like if I’d be a surf instructor on Hawaii and grow my own food while The Who are playing in the background.
Clearly it’d have to be something radical. I wouldn’t give it up for money or anything physical, that’s for sure. Making music is part of my identity so I’d have to reinvent my path to happiness if that ever were to happen!

Thank you!

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