ASM (A State of Mind)

ASM (A State of Mind), the international hip hop collective composed by Green T, FP, and Rhino is launching a new project in collaboration with CMR (Chinese Man Records) called “Origin & Juice” to combine their love for music, food, and natural wine.
The project comes in the form of a 6-part video and single series, in which each episode explores a different country to celebrate its natural winemakers, culinary traditions, and musical history reinterpreted in ASM’s unique ultra-lyrical boom bap style.

The culmination of the series is an EP release of the 6 tracks in digital format and in an exclusive bundle containing vinyl EP and 6 bottles of natural wine curated by ASM.

Dumplings: A hypnotic vibraphone channeled into an unapologetically straight-up hip hop context, both deep and rugged and bright and jazzed-out. Lyrically, this is for the babies, or dumplings, who are inheriting a flawed planet full of beauty and wonder.

For this episode, ASM explores the tastes and sounds of the Czech Republic with the track “Dumplings”, based on a twinkling jazz sample from Emil Viklický and SHQ. The result is a hypnotic joint with a deep and rugged groove for the next generation of humans on earth, aka the dumplings. The wine pairing comes courtesy of Bohemian natural wine king Milan Nestarec, known for his radical experimental juice, and Green-T gets busy in the kitchen with his interpretation of a traditional goulash with Carlsbad bread dumplings.

Tapass: A soulful neck-snapping Fender Rhodes jam with warm rolling sub bass, off-kilter J Dilla type drums, and a lonely rusty trumpet weaving through the tapestry. Stylistically, think A Tribe Called Quest meets D’Angelo. Lyrically, this one is dedicated to the beauty of the feminine divine, with ASM spinning food metaphors into visions of the tastiest of worldy treats.
Origin & Juice – Episode 3: ASM takes us on a journey through the sounds and tastes of Spain, centred around the soulful Dilla-esque joint “Tapass”, based on a sample from La Revolució by Spanish jazz composer Rafael Escote. The track is paired with legendary natural wines of Partida Creus from Catalunya and some tapas dishes that are fun and easy, but packed full of vibrant smoky flavors, courtesy of Green T.

Efcharisto: A dirty driving psychedelic guitar anchors this energetic and funked-out joint that will spare no neck joints this side of the Acropolis. Rhino provides the sonic playground, and FP and Green leave flame-scorched earth in their wake. Badass sure shot banger.

In this round of Origin & Juice, ASM takes on an excursion to Greece. The track at the centre of the episode is the psyched-out reinterpretation of Greek Folk classic “Karagouna” by Mimis Plessas & Orbiters, as reinterpreted by ASM into the gritty funk jam “Efcharisto”. In the bottles and glasses is the sensational juice of Ktima Ligas using indigenous Greek grape varietals and low-intervention winemaking principles. ASM accompanies the sounds and juice with classic grilled souvlaki, bright greek salad, and freshly baked fluffy pitas. The primal force of the flame lays the guiding thread.

Give a Schnitz: A melancholic and reflective jazzed-out hip hop joint with wistful horns and a recurring cut from the late great MF DOOM. FP and Green bounce back and forth painting a path from the past to the present with swaggering nonchalance. To not give a damn feels so good.

With the single Pork Belly, ASM is back in their storytelling zone, which has been a hallmark of their repertoire since The Jade Amulet. The narrative spun here is based on true events one summer evening during their high school years – A quintessential hip hop kid tale involving spray cans, bags of weed, too many beers, and a spin in Green’s first whip that ends in drama. A mystical driving bassline underwrites this deep cerebral head-nodder.


Spence Paull – Christmas Eve [Interview]

What is your creative process like?

It honestly varies from project to project. Sometimes I start with the track, and melodies and lyrics just come to me; other times, I play around on the guitar or piano, and something will jump out. That was the case for “Christmas Eve”. I sat down in July with absolutely zero intentions of writing a Holiday song, but the words and melodies just flowed. It became very obvious very fast that this was a Holiday song – so I ran with it!

How would you describe your musical progress over the years?

I feel like I’ve been constantly evolving as a musician over the years, making pit stops in a variety of genres on the way to finding (and constantly finding) my sound. I started writing in the folk/singer-songwriter space with poetic lyrics and simple melodies, but as I continued to study and train in Jazz and Musical Theatre, I began incorporating more unique chord structures and melodies. I was then fortunate to perform a two-year tenure with a Grammy Award Winning Choir while I was at university, and that really helped to solidify my classical music knowledge and shape how I approach harmonies. All of this, coupled with my love of pop music, has lead to the sound listeners can expect now: genre-crossing pop with jazzy elements, story-rich lyrics, and unique harmonies.

Do you like the idea of collaborating? Is songwriting a lonely process?

I LOVE collaborating. Anytime there’s an opportunity to collaborate, I jump at it! I firmly believe that two heads are better than one. Of the songs I’ve released so far, all have been collaborations on either production, lyrics, or music. Sure, songwriting can be lonely sometimes, but writing alone can also be cathartic: it’s like a journal entry that only you understand. That said, I’ll take writing in a group over writing alone any day!

Main influences?

Anything from the 70’s and 80’s – pop, disco, rock…I take inspiration from it all! Specific influences within that time though are definitely anything Quincy Jones produced, Fleetwood Mac, ABBA, Stevie Wonder…the list is endless to be totally honest! My goal is always to combine the groove these artists embody with some modern production styles and cheeky lyrics.

Is Spotify the music industry’s new Gatekeepers?

I think with any industry, there are inevitably going to be big players that hold more of the power and influence than others. To me, “Gatekeeping” lives in the overlap of these big players’ spheres of influence. Thus, can we point the finger at Spotify only? No. Are they a big player in the industry, and do they hold a shared responsibility of Gatekeeping? Yes. We as artists and music lovers are always looking for ways to distribute that power and influence more equally, and I think we’ve made progress in comparison to where we were even 5 or 10 years ago. That said, there is certainly more work to be done.

What was the best film you have watched during the quarantine?

“King Richard”, hands down! The story of Venus and Serena Williams is beyond inspiring; the performances from Will Smith, Saniyya Sidney, Demi Singleton, and the rest of the cast were flawless. Everyone needs to watch it!

What is the most useless talent you have?

I can wiggle my nostrils. Currently working on wiggling my ears as well, but that’s not going too great so far!

Thank you!

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Tha-GhostDawg – Encore [Interview]

Describe your sound in 3 words

Distance, raw, cloudy

Tell us a few things about your new song ‘Encore’. What is the main idea behind it?

Basically, Encore was a way different beat with a different title before that was not yet released. The first verse was recorded on a different beat,but something was missing and I decided to redo the whole beat. I used the Raw Accapella and tryed different ideas and melodys and not before long, I came up with something. The whole concept for the song was falling in line as soon as Akasha stepped into the booth, she freestyled the bridge vocals and from this moment on, we added the Hook and i wrote and recorded the second verse. We always wanted to try a club type song with a more “electric vibe” to it and with a faster rhytmn. Might sound crazy but i mostly see pictures and colors in my head when i work on a beat or write my lyrics, but also when I’m recording. Encore was a futuristic vision with a 90’s touch.

Which is your most personal and honest lyric?

All my lyrics are honest, i could never write something that i’ve not expirienced or that i don’t feel at all. Regarding Encore, a few lines have a deeper meaning, but I would say “Do you hataz really thought you could stop the Grind safe your effort I’m not playing you cannot take away my shine. Huntin like Artemis, I gotta cross the Ocean, Ghetto Jam like Domino I flow with devotion” Since this has a lot to do with my story and LA, also “This game is upside down, fans stopped to differ right from wrong. Fake, like politicians and laws, be yourself or leave me alone” ..speak for itself.

Artists and people who have influenced and inspired you?

This goes deep and wayback, friends, enemys, people that we’ve lost along the way. Life itself has created a very complex picture. Back then Artists like: Mo Thugs Family, Bone thugs, 2 Pac, but also Rock bands like Def Leppard and Composers like Hans Zimmer. Recently Artists like Yung lean and Bones.. but it’s to many to name since every artist with a song that you feel can be a inspiration or at least a part of it. I often give “workshops” in the hood, and even those youngstas are an inspiration, i always tell’em that.

What would be your dream performance venue?

Every stage or club is good as long as the crows is connected to your music, ain’t nothing worse then a crowd thats is not in the right mood.

In which state of mind do you imagine people might listen to your music?

My songs vary a lot in style and lyrics. I think it’s best to have a bit of both worlds, if you wanne dance and party, i got you covered. If you want something deep with a message.. i got you. If you want something to chill and relax.. i got you.

What is the most trouble you’ve ever gotten into?

I think it’s almost certain that you run into trouble sooner or later if you grew up in a poorly enviroment without a father figure and without a real family behind you. I never had a real guidance and lived the day by day life for quiet some time. A lot has happened and I’ve seen how people disappear from an early age on. Runnin’ into trouble with the law happened occasionally, but i think one of the worst moments was when a guy attacked me and one of my close homies with a hand saw.. allready knew what it means to have guns pointed to my head at this moment.

Thank you!

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Brianne Matthews – Metanoia [Interview]

Describe your sound in 3 words

raw, melancholic, unique

Tell us a few things about your new EP. What is the story behind it?

My EP is a story about love, finding joy and being an open person.

Which song (if any) of the EP is your favorite and why?

My favourite song on this EP is holding on because it resonates with me in the means of me holding on to everything that goes on in life.

What do you enjoy most? Writing music or performing your music live?

I enjoy songwriting the most because my listeners get to experience my emotions through how I see and feel my experiences

Is Spotify the music industry’s new Gatekeepers?

I think that Spotify definetly helps in getting your music out there and listened to by many

What advice would you give to your younger self?

Follow your passion regardless of what obstacles or challenges arise.

You’d give up making music for…

I would not give up making music for anything or anyone. It truly is how I express myself the best and I won’t let anyone take that feeling away from me.

Thank you!

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Hazel Mei – Golden Chains [Interview]

Describe your sound in 3 words

Eclectic, moody, introspective

Tell us a few things about your new song “Golden Chains”. What is the main idea behind it?

I wrote Golden Chains about my frustration about the climate crisis. It’s a song full of anger, but also the hope that I have that we can still do the work and fix this mess.

For which lyric you are most proud of?

Is it okay if it’s from another song? I really like the lyric: if confusion queried you’d say, “it’s the funniest thing.” from my previous release The Funniest Thing. I find personification within writing really interesting!

Your dream collaboration?

I’m really loving Joy Crookes music right now – I think it would be so fun to collaborate with her.

Is Spotify the music industry’s new Gatekeepers?

In some ways yes. The fact that a musician’s recorded works pay so poorly is definitely a big problem within the industry. In saying that, I feel there are so many ways to work as an artist within the music business and despite its undeniable influence, Spotify isn’t everything.

When not writing music, how do you spend your time?

ooooh good question. A lot of what I do outside of music involves my other love: food. I love cooking, baking and finding nice cafes/ restaurants to visit. I’ve also just invested in a sewing machine and am trying to mend and make clothes in an effort to be more sustainable and creative!

You’d give up making music for…

nothing! It’s my favourite thing to do.

Thank you!

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Alba Rose – Holding On [Interview]

Describe your sound in 3 words

Ethereal, authentic, fun

Tell us a few things about your new song “Holding On”. What is the main idea behind it?

‘Holding On’ is a track that goes through the multiple emotions involved when learning to let go of someone or something that you’re not yet ready to. It goes through the highs and lows of a relationship and accepting the uncomfortable reality of a situation, playing between optimism and hope, and cynicism and doubt. This was my sophomore release, prior to the release of my debut EP ‘Silhouette’, which is a 4-track body of work ?

What first got you into music?

When I was in high school and I auditioned to be in the school musical. My audition went terribly, I forgot all the words but my music teacher thought I had a good voice so set me up with a vocal coach. After a few sessions with her I caught the bug and then started performing in school shows and community events, and that was in my final two years of school, so around 201

What do you enjoy most? Writing music or performing your music live?

Hmmm I like both these aspects of music in different ways, and go in and out of enjoying one more than the other at different stages of the year. At the moment I have been focusing more on the live sound aspect of music, so tours, shows and performing. I’m in a real roll with this, and am loving building my confidence up on the stage, yet I haven’t written music in ages, so am starting to get really excited about the idea of writing and producing some new tracks. With new tracks comes a new vision and project. That’s probably the most exciting thing for me right now, all the prospects of the new year and new tunes.

What is the biggest challenge you have faced as an artist so far?

Covid-19. Its so hard to maintain the mental strength to keep going and continually back yourself when things are so unstable and unpredictable in the world. Its definaily a hard industry and career path to choose at the moment, as it feels like so much is pushing back against you, when things you love and things you want to do shoul just happen naturally and feel like they click. I know that all good things take work and time, so it the challenge has been learning to mitigate that time, and keep moving even through the doubt and unmotivated patches.

Which book should we read while listening to your music?

Ottolenghi’s new cook book please

What would you be doing right now, if it wasn’t for your music career?

oooo… I’d probably be hustling trying to earn some serious money so that I could go and explore the world, specifically Spain and South America. I’ve been longing to travel for years now, there’s so much I can’t wait to explore and experience

Thank you!

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Mars Valencia – Nomads [Interview]

Describe your sound in 3 words

Spacey, chilled and relaxing

What is your creative process like?

I create the beat and melodies at the same time, while I’m working on the beat I’m also thinking about what melodies would work best and build the song as I go along. Once the rough demo is created I’ll take it to the studio and record it professionally.

For which lyric you are most proud of?

“I was doing road with the Nomads, vision never been so clear”. This is my favourite line because its so real and brings back so many memories from my time in China. I saw things that you would have to see for yourself to believe, I left the country incredibly inspired and my outlook on my music and career had changed drastically.

Do you think there is a true underground hip hop sound today?

yh of course, if you look for it you will find it, theres so much more music out there aside from what mainstream media feeds us, and usually underground music is better.

What does hip hop symbolize in your opinion?

HipHop is self expression, its unique to each individual which is why the genre of Hiphop is so vast and it continues to grow and push boundaries.

Favorite film ever?

The lord of the rings, God tier movie.

What is the most trouble you’ve ever gotten into?

next question your honour

Thank you!

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Bobby-G – Big Face Hunnids [Official Video]

Bronx-native Bobby-G has honed his craft for the better part of a decade with an unwavering passion for making music and telling his origin story. Starting his musical career at the Nuyorican Café performing spoken word at open mic nights, Bobby-G continues to find inspiration in the words of James Baldwin and hip-hop storytellers like DMX, Jay-Z, and The Notorious BIG.
“I want to be known as an artist first. Rapper second. I want to be known as someone who has a deep love for the craft and is dedicated to pushing the culture forward. My purpose in music is to identify the tangents in my life and connect them with societal issues to create a soundscape that helps people navigate through it all.”
Navigating the industry from a mindful distance while focusing on his career, Bobby-G is ready for his resurgence, and his new LP, Gawd Have Mercy, is a testament to that dedication.

“This project is for the dreamers, believers, and overachievers. It’s a love letter to a friend who passed before reaching his zenith and a way for me to connect his dream with the world. It’s for those of us who are looking for a second wind to actualize our goals. There are songs and mantras on the project that I hope will be used as reminders to help motivate anyone trying to realize their dream.
We are all in search of faith, and this doesn’t necessarily mean religion. Faith could just be finding someone close to you that you can rely on or seeing that someone else has similar experiences through their music.”
Gawd Have Mercy blends traditional and contemporary sounds in high-powered tracks throughout the first half of the project like “Big Face Hunnids,” and “Chariots of Fire.” Closing out the project with the soft, subtle tones of “Famous Nobody Pt 2.” Through seamless writing and production, this LP brings to life 13 new tracks that tell a cohesive and unique story of struggle, growth, perspective, and daydreaming.

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BROOXCiV – Left4Dead

From bulletproof bars to unbreakable hooks, Left4Dead flexes the finesse of two artists as unfiltered, raw, and real as it gets, capable of transitioning and twisting their rhymes at blazing speeds, with stunning fluidity and flow unlike any other.

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DxBoY – Lit Again [Interview]

Describe your sound in 3 words

Energetic, Fun, Lit

How many beats do you listen to before you end up using one? Tell us a few things about your creative process.

Hmmm this varies to two ends of the spectrum. It’s either I use the very first beat I listen to or I spend 1-2 hours going through beats before eventually calling it a day and starting again tomorrow. So my creative process is first of all to get a beat that hits me from the very first listen. Once I’ve got this, then I freestyle over the beat because what comes to you naturally the first time is usually the best flow you’ll end up with. I then replace words in the freestyle, and that’s the process really

For which lyric you are most proud of?

” Cartier on my arm, you ever been with a star baby?”

What does hip hop symbolize in your opinion?

Hip-hop symbolizes freedom to me. A way in which you can express all the emotions you have without being judged. A sweet escape

Favourite album of the past year?

That would have to be “My Turn” by Lil Baby. “Emotionally Scarred” was definitely the best song of the year

What is the most useless talent you have?

I am amazing at Tetris. I can confidently wager 100 pounds against anyone that I’ll beat them.

One last thing we should know about you?

I’m just getting started and have a lot of new music coming out soon. A couple videos as well and maybe dropping an EP before the end of the year. So stay on the look-out.

Thank you!

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