Tag: Conscious

Bolt Seminar – Vigilante Ft. Alligator Alfred [Review]

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John Sarastro (visuals and beats) teams up with Dell Wells (vocals and words) for Vigilante, a hip-hop production that blends traditional techniques with new ideas pushing the boundaries of the genre. The instrumental stands out with its intriguing funky line mixed beautifully with a classic, saturated drum beat, while the added scratches carry an oldschool essence.  The flow exhibits pleasing variety, with each rapper effortlessly delivering their bars. Unconventional hip hop straight from da underground. Listen below!

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Aminata – What’s Magic? [Review]

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Hailing from Canada, Aminata showcases her irresistibly chill work delivering some serious laid back vibes. The artist’s delivery has a straight, to the point, spoken word touch. The warm detuned synth chords in the instrumental create a distinctive presence, harmoniously mingling with the lofi beat and the pleasantly subdued bass line. What’s Magic? Aminata has the answer for you. Click play below!

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DBL A – My Place

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‘MYPLACE’ is the third release of the year for DBL A. Continuing to evolve his sound alongside Manchester-based producer ‘B-SEEN’. The second collaboration between the two shows DBL A experiment with his signature style of 140 flows, introspective lyrics and creative wordplay. the two link up in song that shows B-SEEN’s distinctive glitch-hop style, with UK grime and drill influences. and shows the North Yorkshire-native MC take his unique sound forward, as he prepares to release a series of singles to further leave his impression on the UK Underground scene before the release of his second tape.

Odd Holiday – It IS Whut It Iz [Review]

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Odd Holiday has returned with their newest offering called “It IS Whut It Iz”. The song begins and concludes with sample clips. In between, the main part features a lively drum beat, an intriguing bass line and trippy dub infused desert guitars. The primary melodic theme has a superb cinematic vibe. The flow is smooth and captivating, effortlessly riding the beat, blending perfectly with the instrumental. An experimental hip hop production which isn’t afraid to take risks, making it unique and noteworthy.

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B1GJuice – Drought

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Fitting as a perfect mixture of ski-mask balaclava activity with Michelin-star restaurant ambiance, “Drought” captures the sophisticated aggression and raw class of the seasoned Canadian MC. But here’s the kicker – listening to it also makes you 10% more likely to win at rock-paper-scissors. (Don’t fact-check that.)


Captivating in its rhythm, the track features an enticing flow and a seamless fusion of a velvety bassline, ethereal piano keys, and vibrant jazzy horn lines. Enjoy below!

V of 40M – Martin Luther [Review]

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No need to pretend.
V of 40M has done it again with his latest work “Martin Luther.” The track is a powerful political statement that addresses issues such as inequality, discrimination and power games. Teaming up with Saint Cardona, the production on “Martin Luther” is nothing short of outstanding. The instrumental is a classic and gritty drill beat with a wavey, killer bass line and sweet dark vibes that perfectly complement V of 40M’s flow who he doesn’t hold back as he delivers his message with conviction. The combination of V of 40M’s lyrical prowess and Saint Cardona’s production results in an experience that goes beyond just music. It’s a call to action, a battle cry for change. The soundtrack of the revolution.

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Deadmics – Lily Livered [Review]

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Deadmics is presenting “Lily Livered,” an honest alternative hip hop track with a charming old-fashioned atmosphere. The instrumental side of the song, by produced by Rob Castro, is nicely soothing, featuring pleasing piano lines and a lovely string section reminiscent of a black and white film. The addition of the horn solo enhances the warmth of the overall production. Thematically, the song discusses feelings of jealousy and vulnerability, as well as recognizing them. It deals with the conflict of feeling the dopest but not receiving recognition for it. On one hand, it seems uncool to crave acknowledgement, but on the other, it feels justified. Ultimately, it’s a reflection on both sides of the situation. You may hate the world. On not. Either way click play and dive in.

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Motown Priest – Farewell to Welfare [Review]

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Uncovering the true worth of a dollar.

This song is playing in the background as a black car heads straight down the pitch black alleyway and you stand hidden wondering: Are they gonna flood the big lights on us, or they friendly? 

Born and raised in Detroit, New York City based artist Motown Priest makes a strong comeback with his latest single, “Farewell to Welfare.” The track features an effective 2 chord progression and a beautiful acoustic drumbeat with intriguing breaks that give the instrumental a natural feel. Motown Priest delivers a succinct flow, addressing the song’s main question and refrain: “What is the value of a dollar?”.

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Ryan Mills Presents – Blasphemy [Review]

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βλασφημία
the action or offence of speaking sacrilegiously about God or sacred things.

Ryan G. Mills spent more than ten years consulting with independent artists across different music genres. Through this experience, he discovered his passion for creating music that fosters community connections by promoting exceptional talent. Ryan Mills Presents achieves this by carefully choosing emerging and established artists for innovative collaborations. The works of these artists are unified around the vision and direction of Ryan Mills Presents, and they include both nationally and internationally recognized talents.

The collaboration between 1st Official’s production and the vocals of Vic Frost, Paranom, and Illogic on the track “Blasphemy” creates a hauntingly dark atmosphere. The diverse flows of each artist add to the track’s intrigue and keep the listener fully engaged. The classic hip hop beat with its heavy subs, provides a strong foundation for the flows to shine. The distorted “Blasphemy” vocal layered in the background adds a level of tension and unease that complements the overall tone of the track.

Click play. Embrace blasphemy.

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CH/ZZY – Late Start (Review)

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Guess who! CH/ZZY.

CH/ZZY’s new album “Late Start” is a tour de force of classic trap beats, heavy 808s, and skillful flows that showcase the artist’s versatility in the hip hop genre. From the opening track “Guess who?” to the closing track “Empty pages,” CH/ZZY delivers a collection of tracks that are characterized by nicely dark moments, playful old school elements, intriguing bass lines and chill trap vibes. The instrumentals provide ample room for the flows to shine and take the lead.

The album also incorporates R&B elements, clever use of samples, numerous acoustic elements, fancy horn sections and lovely choir vocals creating a rich and diverse sound palette, while demonstrating CH/ZZY’s attention to detail. CH/ZZY exudes confidence throughout the album, delivering both infectious and catchy hooks, as well as emotional and intense verses that keep the listener fully engrossed. The more oriented rock techniques but also the breakbeat influences only add to the already dynamic experience. Overall, CH/ZZY’s “Late Start” is a masterful album that showcases the artist’s range and skill as a rapper and producer. It is also presents a chance for the listener to embark on the artist’s journey and gain an authentic understanding of who he truly is. Check it out below!

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